Wednesday 26 June 2013

Expt3- Animation, elevator and links


Elevator


Environment Overlook



EXPT3- 5 Picture Capture






Expt3- Bridge , Theatre and Elevator



My Bridge is a mix of jagged geometry and organic curve just like what I mentioned in mush up a transformation of standardized rigidity into fluid organic space.














The theatre is under the concept that use detailed geometric form in irregular arrangement to achieve a natural oraganic shape. 










The elevator is in a simpe biomorphic form






Expt3- 18 2 perspective sketch




Expt3- 36 movements

Linear

Radiate











Expt3- Environment Editing


Huangguoshu Cataract


The Huangguoshu Cataract is on the Baishui River of Zhenning county, Guizhou province,China, about 81 meters in width. It runs down in thundering splashes from the 68-meter-high cliff of the fault of the riverbed into the Rhinoceros Pool, where the water is made to surge with spray splashing. 














EXPT3- Folly development


Architecture designed by Tokyo Ito is the theme and inspiration in my models. The folly above is under the consideration of organic cellular structure which show in Sendai Mediatheque, each seaweed-like pipes delivered fresh air,sound,light and take load.







Bagsværd Church / Jørn Utzon


The curved and cloud like design in Bagverd Church inspired me about the space of folly ,riced ceiling layer and interweave with light which create a sense of purity which is the main concept of my folly.









Monday 10 June 2013

EXPT3 --- MASH UP

The fluid geometry evokes a sense of peace and serenity. A transition from jagged geometry of Tod's Omotesando in Tokyo, to the organic cellular structure of Sendai Mediatheque suggests a curvilinear alternation in Tokyo Ito ‘s design.  In Le Corbusier's Mill Owner's Association building in Ahmedabad, India, the distinction between structure, service and activity is clear. Now Ito has proclaimed his commitment to the 'emerging grid', a concept he has defined as a 'transformation of standardized rigidity into fluid organic space ... that signals endless new possibilities interrelating architecture and people'. Here the structure and services are integrated in one and take on an organic life of their own, as do the freely planned layouts of the various cultural activities. In Tod's Omotesando, nine overlapping concrete tree branches are load-bearing elements and surface treatment all in one. "Trees are organisms that stand by themselves, so their shape has an inherent, structural rationality," explains Ito. The core has been liberated in Sendai Mediatheque. Each tree provides vertical transportation for people, light, air, sound, or power. Big trees at the corners brace the building, encasing the fire-escape stairs. In the trees along the sunny side of the building, lifts transport people. Air rises from the underground plant though tubes that branch out into the floor plates: boilerhouse mechanical meets Bladerunner biomorphic.


Webb, Michael. 2007. "ORGANIC EMBRACE." Architectural Review 222, no. 1326: 74-77. Art & Architecture Complete, EBSCOhost (accessed June 10, 2013). http://web.ebscohost.com.wwwproxy0.library.unsw.edu.au/ehost/detail?sid=1c65799f-95ff-435d-8f9f-b933d4534596%40sessionmgr11&vid=2&hid=20&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#db=vth&AN=26357762




"Fruits of the Forest." Building Design (Feb 23, 2001): 14-14. http://search.proquest.com.wwwproxy0.library.unsw.edu.au/docview/274386069?accountid=12763#center